and with intricate stories and sensational illustrations that turned the genre of space opera in a kind of war elegy for kids.ĭan Dare was resurrected in the first issues of the mythical ‘200AD’, between 19. His best-known character was the historical ‘Dan Dare, Pilot of the Future’, the British equivalent of Buck Rogers. Between 19 it was born as the idea of an Anglican vicar who believed that his church’s message was not being transmitted as it should to his little parishioners, and he created this magazine with great success, selling almost a million copies. In this context, ‘Doomlord’ was born, or as we knew it in Spain in a very fortunate translation, ‘Exterminius’.Įagle was a historical British comic magazine that went through two stages of great popularity. And from an explosion of creativity and lack of control in comics and magazines aimed at the youngest, which gave rise to publications such as ‘2000 AD’, home to characters as extreme and crazy as Nemesis the Warlock or Judge Dredd. It was also the time of British science fiction series such as the traumatizing ‘Chocky’ or ‘Inside the Labyrinth’, with a dull aesthetic and a funereal rhythm. Those were the times when Disney went crazy and produced the most macabre films in his filmography, such as ‘Taron and the Magic Cauldron’, ‘The Dragon from the Lake of Fire’ or ‘The Black Abyss’. That fantasy and science fiction of the late 1970s and 1980s, even those aimed at the youngest, had a black component and morbid out of the ordinary knows anyone who lived through those dark years.
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